The Mod Factory 1 & 2 algorithms are seriously worth the upgrade. If you own a 3500, there's nothing else to add to it. Today's advice is to aim for an H3000D/SE or expand any other unit to D/SE capabilities. This was the founding stone of the next Eventide totally open platform, from the DSP4000 to the current H8000.Īny H3000 can be expanded to any superior status. In the 1990s the Mod Factory 1 & 2 modular algorithms were added to the line these are the original modular algorithms allowing the user to actually build his/her own effects structures, including Dynamic control of level, modulation rates, panning, filtering and more. In the years Eventide produced several variations of the original H3000, such as the H3000S, H3000SE, H3000B, H3000D/SX, H3000D/SE and the top of the line H3500 DFX-SAMPLING.Īll these units are the same machine with a different amount of algorithms and presets available in them and a Sampler board, offering dozens of seconds for sampling and delay lines. Reverse shifter was also another great new tool to replicate old analog psychedelic recordings tricks. The H3000 set pitch shifting standards all future technology had to aim at and introduced Diatonic pitch shifting for "in key" harmonization. It was also a "state-of-the-art" machine, with its 16bit/44.1KHz sampling rate CD specs. It was THE technology wonder of those years, offering a variety of algorithms no other unit had on the market. In 1988 The Eventide H3000 Ultra-Harmonizer® hit the music industry with big noise and surprise.
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